Ida Libby Dengrove, a courtroom artist who won two Emmy Awards for her illustrated coverage of the “Son of Sam” trial of David Berkowitz and the “Murder at the Met” trial of Craig S. Crimmins, died on April 13 from complications of Alzheimer’s disease. She was 86.
Born in Philadelphia to Russian immigrants, Dengrove attended Moore College of Art and studied in Europe on a John Frederick Lewis Memorial Fellowship. She honed her skills during World War II by drawing portraits of wounded soldiers and Army recruits for the U.S.O. In the midst of her war-time travels, she also met her future husband, Edward Dengrove, a psychiatrist who served as a surgeon in China.
Upon their return to the states, the couple wed and settled in New Jersey. Edward opened a home-based practice while Libby raised their three children and continued her training in an upstairs studio. They were married for 64 years, until his death in 2003.
In 1972, NBC News advertised its need for a courtroom artist. Dengrove heard about the job, grabbed her sketchpad and hopped on a Manhattan-bound train. She didn’t bother to set up an appointment; she just walked into NBC Studios and requested a try-out. During her job interview, Dengrove drew sketches of the person in front of her.
She was hired on the spot.
For the next 15 years, Dengrove’s artwork accompanied the network’s trial stories, including the Jonestown massacre, the Mafia and John Lennon’s deportation. As America’s first courtroom television artist, she was able to work around a judicial ban on cameras and efficiently record famous cases in inks and oils. Dengrove discussed her broadcasting experiences in the 1990 memoir, “My Days in Court: Unique Views of the Famous and Infamous by a Court Artist.”
In recent years, Dengrove suffered from Alzheimer’s and Parkinson’s disease. She never stopped drawing, however, and was known for creating portraits of the people living in her nursing homes.